Where Can I Buy Andre Disderi Camera
| André-Adolphe-Eugène Disdéri | |
|---|---|
 Self-portrait, c. 1860 (Paris, Musée d'Orsay) | |
| Born | (1819-03-28)28 March 1819 Paris |
| Died | (1889-x-04)October 4, 1889 (aged 70) Paris |
| Nationality | French |
| Occupation | Lensman |
| Years agile | 1846–1870 |
| Known for | Photographic career equally a daguerreotypist |
| Signature | |
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André-Adolphe-Eugène Disdéri (French: [ɑ̃dʁe adɔlf øʒɛn dizdeʁi]; 28 March 1819 – iv October 1889) was a French photographer who started his photographic career as a daguerreotypist but gained greater fame for patenting his version of the carte de visite, a small photographic image which was mounted on a card. Disdéri, a bright showman,[1] made this system of mass-production portraiture world famous.
Early on life [edit]
Disdéri began his working life in a number of occupations, while likewise studying art.[2] He started as a daguerreotypist in Brest in 1848 or 1849 but in December 1852 or January 1853 he moved to Nîmes. There he received assistance from Édouard Boyer and Joseph Jean Pierre Laurent with his photography-related chemistry experiments.[3] [4] [five] Later a twelvemonth in Nîmes he moved to Paris, enabling easy access to people who would be the subjects of his cartes de visite.
Disdéri and the carte de visite [edit]
French carte de visite of Nadar
Photographs had previously served equally calling cards,[half dozen] but Disdéri's invention of the newspaper carte de visite (i.e. "visiting carte") photo 2nd enabled the mass product of photographs. On 27 November 1854 he patented the system of printing ten photographs on a single canvass (although at that place is no show that a system printing more than 8 actually materialized).[7] This was the beginning patent ever for a bill of fare de visite. Disdéri's's cartes de visite were 6×ix cm, about the size of conventional (nonphotographic) visiting cards of the time, and were made by a camera with four lenses and a sliding plate holder; a design inspired by the stereoscopic cameras.[8]
The novelty quickly spread throughout the world. Co-ordinate to a German visitor, Disdéri's studio became "really the Temple of Photography – a place unique in its luxury and elegance. Daily he sells three to four thousand francs worth of portraits".[ix]
The fact that these photos could be reproduced inexpensively and in great quantity brought about the pass up of the daguerreotype and ushered in a card de visite craze as they became enormously popular throughout Europe and the U.s..[10] [xi] So dandy was the publicity that all of Paris wanted portraits.
The swell French lensman Nadar, who was Disdéri's competitor, wrote about the new invention in his autobiographical "Quand j'étais photographe", "almost the advent of Disdéri and Carte de Visite. It spelled disaster. Either you had to succumb – that is to say, follow the trend – or resign."[12]
Twin-lens reflex camera [edit]
Disdéri likewise invented the twin-lens reflex camera.[ten]
After years and death [edit]
In the backwash of the Paris Commune of 1871, Disdéri recorded an image of dead Communards.
At the pinnacle of his career, Disdéri had been extremely wealthy and renowned; simply like another lensman, Mathew Brady, he is reported to have concluded his life penniless.[10] He died on 4 October 1889 in the Hôpital Ste. Anne in Paris, "an institution for indigents, alcoholics, and the mentally ill".[xiii] He was a victim of his own invention. The system which he invented and popularized was so easy to imitate that photographers all over the earth took reward of it.
Gallery [edit]
References [edit]
- ^ "André Adolphe-Eugène Disdéri" at the Getty.
- ^ Wilder, who names the occupations every bit "commerce, interim and politics".
- ^ McCauley, Elizabeth Anne (1985). A. A. Eastward. Disdéri and the Carte de Visite Portrait Photograph. Yale Academy Press. pp. 14–15, 231.
- ^ Disdéri (1853). Manuel opératoire de photographie sur collodion instantané. Paris. p. seven.
J'ajouterai un mot cascade remercier M. Boyer, pharmacien, et surtout K. Laurent, chimiste et contrôleur de garantie à Nimes, cascade les renseignemens [sic] que ce dernier eût la bonté de me fournir au sujet de la partie chimique de cet ouvrage...
- ^ Disdéri (24 September 1853). "Correspondance". La Lumière (39): 156.
C'est alors que, de concert avec Yard. Laurent, amateur distingué de cette ville, nous fîmes quelques expériences...
- ^ Wilder.
- ^ Appointment co-ordinate to Wilder. Provision of ten images in the patent according to McCauley. An eight-image example from 1858 is displayed in metmuseum.org
- ^ McCauley.
- ^ Liesegang, E. Geschichte der Firma Ed. Liesegand, folio viii (1929).
- ^ a b c Leggat, Robert. "Disdéri, Andre Adolphe Eugene". mpritchard.com.
- ^ "A History of Photography: From its beginnings till the 1920s".
- ^ Nadar. Quand j'étais photographe, ISBN 2742717978[ vague ]
- ^ Elizabeth Anne McCauley, A.A.E. Disdéri and the Carte de Visite Portrait Photograph, Yale Academy Press, 1985.
Sources [edit]
- McCauley, Elizabeth Anne. "Carte de visite." Oxford Companion to the Photograph, ed. Robin Lenman. Oxford: Oxford Academy Printing, 2005. ISBN 0-19-866271-8.
- Wilder, Kelley E. "Disdéri, André-Adolphe-Eugène." Oxford Companion to the Photograph, ed. Robin Lenman. Oxford: Oxford University Press, 2005. ISBN 0-xix-866271-viii.
Archives [edit]
- 19th Century Actors Menu de Visite Collection. 1860-1885. 605 photographic prints on carte de visite mounts ; 4 x 2 1⁄ii in. At University of Washington Libraries, Special Collections.
External links [edit]
- npg.org
- getty.edu
- metmuseum.org
- Encyclopædia Britannica, Andre-Adolphe-Eugene Disdéri. Accessed 28 November 2007.
- The virtual Cabinet Carte museum.
- Works by Disdéri Collection Paul Frecker, London.
Source: https://en.wikipedia.org/wiki/Andr%C3%A9-Adolphe-Eug%C3%A8ne_Disd%C3%A9ri
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